![]() Wearing costumes designed by the legendary Roger K Burton – who’s dressed everyone from the cast of Quadrophenia to Kanye West – the kids in Hackers rollerblade to school, get busted by the Secret Service, and hack the planet in Seditionaries parachute shirts, Quiksilver rash guards, bondage trousers, tacky tourist tees worthy of Vetements runways, and ‘half-American football, half-medieval’ Vivienne Westwood armour jackets. But one aspect of its appeal, which finds itself posted and regrammed ad infinitum, is its clothing. While the tech-centric plot is very much a product of its time – floppy disks feature heavily – its throbbing, Prodigy-laden soundtrack, kaleidoscopic hacking sequences, and a photogenic young cast including Angelina Jolie, Jonny Lee Miller, Matthew Lillard, and more have cemented its status as a cult classic. Hackers, directed by Iain Softley, follows a gang of teenagers on their travels through cyberspace, encountering corporate corruption and conspiracy embedded in the code. ![]() Mac miller watching movies clothes fashion movie#But before the cool minimalism of The Matrix (1999) and the elegant goth of The Girl With the Dragon Tattoo (2009) made hacking synonymous with well-cut black leather jackets, one 1995 movie had an altogether different proposal when it came to how this burgeoning subculture might dress. In real life, hackers might have come to favour the stealth and comfort of hoodies and sweatpants for logging long hours on their laptops – as we learned from The Social Network, even billionaire tech overlords prefer ‘fuck-you flip-flops’ over suits. But there’s no look to that lifestyle! Besides just wearing a bad outfit with bad posture.” Everyone else, don't waste your time.Speaking to the Wall Street Journal back in 2012, John Waters lamented a decline in subcultural style: “When I was young there were beatniks. (Not that it's all Mendes's fault - true, she's no Joan Crawford, but her role here is a shadow of what Crawford got to sink her teeth into.) If you like chick flicks (I'm a guy, but I tend to) and you're not hoping for anything close to the original, then give it a go. Unfortunately, Eva Mendes then comes back on screen, reminding us of how beneath Joan Crawford's Crystal Allen her version is, and how much this movie pales in comparison. And Bette Midler steals the too-brief chunk of the movie she gets, giving us a hint of how brass and sassy a genuine attempt at updating "The Women" might have been. The four leads are ably assisted, especially by Cloris Leachman and Candice Bergen, in beautifully played roles that ring true. That said, there's some life here, scattered scenes that are amusing or touching. Not one of these characters, for all the talents of the actresses playing them, ever actually felt like a real person. ![]() Ryan, Bening, Messing, and Pinkett Smith can't manage the same feat in two hours, especially not when saddled playing cardboard stereotypes representing different aspects of whatever the filmmakers think "the modern woman" is. It took the "SATC" women several seasons of hard work to develop as individual characters that come together so smoothly. This cast sounds impressive on paper, but they never really gel. I don't envy any group of actresses setting themselves up for comparison with the sensational ensemble of the original. Sadly, that sharpness is missing from the script of this film. ![]() While that film has always been polarizing, even its critics recognize it has some of the snappiest, wittiest zingers in Hollywood history. I found it neither as bad as its many detractors claim nor as good as its somewhat more limited number of fans make it out to be, but it's probably best if you are not terribly familiar with (or not a big fan of) the classic version. "The Women" uses the same character names and the plot skeleton of the 1939 George Cukor classic with the same title, but it is really more an alternate "Sex and the City" than an updated version the original.
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